Veteran gospel artist Deitrick Haddon is not backing down after sparking widespread debate online over his criticism of the BET Awards’ decision to honor rapper GloRilla in a gospel category.

The controversy erupted after BET presented GloRilla, known for her gritty Southern rap style, with a gospel music award—an unexpected pairing that raised more than a few eyebrows in both the gospel and hip-hop communities. Haddon, never one to bite his tongue, publicly questioned the network’s decision and was met with swift backlash from fans and peers alike.

But the singer and pastor isn’t apologizing.

“I said what I said,” Haddon declared in a candid video posted to his social media, responding to critics who accused him of being judgmental. “It’s not hate. It’s about keeping the integrity of gospel music intact.”

Haddon, who has spent over two decades blending traditional gospel with contemporary sounds, insisted his comments were rooted in love for the genre—not personal attacks.

“We’ve fought long and hard for gospel music to be respected as a spiritual and cultural force,” he said. “So when the world starts giving out gospel honors to folks who haven’t walked that path or lived that message, yeah—I’m gonna speak up.”

GloRilla, whose music typically explores themes of survival, street life, and female empowerment, recently released a gospel-inspired track that struck a chord with fans and critics. BET seemingly viewed it as a bridge between worlds and celebrated it as a bold new take on faith and artistry.

But for Haddon and others in the gospel community, the move raised concerns about blurring the lines between genuine ministry and momentary musical experimentation.

“I don’t care how popular or viral you are,” Haddon added. “Gospel is more than a genre—it’s a lifestyle, it’s a calling.”

Despite his strong stance, Haddon made it clear that his issue isn’t with GloRilla as a person. “I love everybody,” he said. “But I also love gospel music. And I believe it deserves better than this.”

His remarks have ignited an ongoing conversation about the evolving definition of gospel music, the role of spirituality in pop culture, and whether mainstream institutions like BET are doing enough to honor the roots of the genre.

Social media has been divided. While some praised Haddon for defending gospel’s core values, others accused him of gatekeeping and ignoring the genre’s capacity for evolution.

As of now, BET has not responded publicly to the criticism. GloRilla, too, has remained quiet on the issue.