In a move that has sent shockwaves through worship and gospel music circles, two of Maverick City Music’s most recognizable voices — Chandler Moore and Naomi Raine — have officially announced their departures from the collective. The duo shared emotional statements on October 6, 2025, marking the end of a season and the beginning of new paths. 

Their Statements: Gratitude, Vision & Transition

Moore described his exit as “bittersweet,” reflecting on his deep ties to the group and what Maverick City meant to him. He acknowledged pouring his heart into the collective, saying the transition feels like “saying goodbye to your own kid.”  Though legal and business matters were mentioned, he emphasized that his vision remains unchanged: to make music that touches hearts and connects people. 

Raine’s statement carried both gratitude and expectancy. She reflected on her journey with Maverick, calling it life-changing, and shared that she believes it’s time to follow a new calling. Her words: “this isn’t really an ending, but a new beginning.” 

Their Legacy with Maverick City

From its inception, Maverick City Music has been known for redefining worship — raw, authentic, and inclusive. Moore and Raine became central to that sound. They contributed to chart-topping worship songs and albums and gave powerful performances on albums like Old Church Basement and “Jireh.” 

Through their voices, they helped elevate Maverick from a rising collective to a global worship phenomenon — one that introduced a new style of gospel worship to diverse audiences. Their exit is a significant moment in the collective’s history. 

The Legal Backdrop: Moore’s Lawsuit Emerges

Shortly after announcing his departure, Moore filed a lawsuit against Maverick City Music’s CEO and former manager, Norman Gyamfi, alleging millions in withheld royalties, misuse of contracts, and exploitation of fiduciary responsibility. The suit claims Gyamfi forged Moore’s signature and manipulated publishing rights to benefit the collective and affiliated entities. 

The split, therefore, seems not only musical and spiritual but also legal — a complex separation influenced by both personal calling and structural disputes behind the scenes.

What’s Next for Both Artists

Moore plans to channel his next chapter into more personal and bold musical expressions. He’s spoken publicly of creating songs that make listeners feel “a little more human, a little more understood.” 

Raine, meanwhile, is already building momentum through her solo work and live ministry. With her new direction, she aims to continue blending worship leadership with her unique artistry. 

A Turning Point for Maverick City

Losing two foundational voices is undoubtedly a pivotal shift for Maverick City Music. But the collective was built on community and collaboration. While the departure stings, the group’s future won’t necessarily be defined by what’s lost, but by who continues, evolves, and carries the flame forward.

For Moore and Raine, their exits are bold declarations that worship and ministry don’t demand uniformity. Sometimes, growth means stepping out alone — trusting in where God leads next.